Füneral Rain Press Cörps

Genre: Doom, Sludge
Label: Independent

FIVEWILLDIE (Five Will Die, FWD, 5WD) have been one of my favorite bands ever since Funeral Rain Zine was a shitty hole on MySpace. These Irish lads were one of the first bands I hooked up with and ever since then I’ve been wanting to hear more from them. And now I have. And wow.

Worth & Soul is a killer doom album, perfect for fans of faster, angrier doom. Elements of death metal and hardcore are all over the place, with slow breakdowns and beatdowns. If you’re expecting a Katatonia or My Dying Bride here, you’re looking in the wrong direction. Instead what you’ll get is a face full of fists. Tracks take an anti-Christian bend as well, in a more atheistic way, and some spots (especially in “Seeds”) are even reminiscent of Tool.

The album itself starts with “Wrecks of Men”, which features Andy’s roar right from the start, going straight for the eyes. The riffage is slow, deep and solid. Perfect for headbanging while pounding your fist on the patch-laden vest of the bloke in front of you in the pit. The general feel really doesn’t change, but “Nothing Against Your Conscience” does slow it down even further for a time to get you ready for the next assault. “Sons of Horus” is just fucking vicious, viscous doom, and “Great Minds and Fools” keeps it up. “Blood and Soil” is one of those songs that I can see getting covered by other bands. It’s slower than your grandmother driving and just as scary. “Blame the Martyr” takes on a more classic doom feel at the start, then brings in that FWD flavor with tons of crunchy broken noses; one of the best tracks on the album. “Seeds” takes the same route, with a clean guitar at the start and some asskicking through the rest, with a slow and clean spot in the middle to breathe for a moment. The pit stays slow again for the final track, the title track “Worth & Soul”, a time to wipe the blood and sweat from your face and finish off another pair of beers before heading into the night.

So needless to say, FIVEWILLDIE have outdone themselves. Worth & Soul is by far their best work, and hopefully indicative of where they will be headed in the future. A fucking masterpiece, I’ll be spinning this shit for years to come.
10 out of 10.

03 Sons Of Horus by Five Will Die

FIVEWILLDIE on Facebook.

Nightmare Records is pleased to announce the signing of Los Angeles, California’s Clandestine. Clandestine is female fronted melodic rock with a serious kick you in the face attitude. Their debut album The Invalid will be released on February 15, 2011. Nightmare Records is based out of St. Paul Minnesota and is distributed by RED.

Mixed by well known producer Sylvia Massey (Tool, System Of A Down), this band has wickedly infections melodies and music that crosses many lines in the sand of purists rock, alternative, electronic and metal genres an extremely impressive, 10 fresh songs equaling a 45 minute slab of hard edged rock that never fails to deliver on all levels.

The band is fronted by singer June Park who wields a very impressive almost otherworldly and fierce voice. Enigmatic and engaging she is without a doubt, a star on the rise. The four-piece is fulfilling the thirst of today’s music fans that are in search of a new sound that triggers their ultimate aural pleasure.

Clandestine‘s ultimate goal is combining diverse influences and styles that mark a new generation with an unnamed creation while striving to provide a sonic link from the past to the future.

Clandestine is a truly unique band, combining progressive rock with female fronted metal, a touch of electronic music that enhances the futuristic timbre, and some smooth huge pop melodies. “The Invalid” is a must for fans of bands as diverse as Evanescence, Dream Theater, Fair to Midland, Rush, Lacuna Coil, Tool and Between the Buried & Me.

What more can you ask for?

Clandestine on MySpace.

Genres: Hard Rock, Progressive Metal, Progressive Rock
Label: Independent

I found an email from Thesis in my inbox, asking if I could do a review of their new body of work, Channel 1. They described themselves as a progressive rock with metallic leanings, so I said sure. I’d be happy to.
And if only I knew what I was getting into.
Thesis don’t fall into an easy to define area of music, because they are very progressive, with some psychedelic elements. Amazing musicianship, with an extremely strong voice, Thesis remind me of a slower, more melodic and pretty sounding Tool or Cynic. At times even reminding me of Opeth.
Violins, heavy riffs, and an occasionally oppressive feeling fill this album, and it’s great. Check it out if you’re into progressive music.
8 out of 10.

Thesis on MySpace.

Genre: Progressive Metal
Labels: Armoury Records, Mystic Productions

The third CD in that package I got forever ago, Proghma-C sat, unreviewed (but listened to) for a long time. The reason why I haven’t said anything about it yet is simple: laziness. BUT ALAS!
Proghma-C are another Polish package of progressive perfection that will piss off your parents. Think Tool, with some Meshuggah, Portrait of an American Family-era Marilyn Manson, Fear Factory, and a fair amount of drugs. In other words, it’s out of this world. Throw in a Bjork cover, “Army of Me”, and wow.
8 out of 10.

Proghma-C on MySpace.

Genres: Progressive Metal, Technical Death Metal
Label: Season of Mist

Metalgasm! Straight up, pure, unadulterated, and unfuckwithable eargasmic metal right here. I can’t stop listening to Traced in Air, an album I bought because I heard Cynic were pretty damn good and the tag on the album was Technical Death Metal. I thought I was buying an Origin- or Cryptopsy-like CD, but what came out was definitely not like either of those bands.
Instead, it reminded me right off the bat as Tool, but then the second listen brought in Deftones and Coheed and Cambria. And once I heard the Coheed-like elements, the Rush comparison was instant. And King Crimson. This is a wonderful, perfect album, a little on the short side (all of the best CDs are too damn short, aren’t they?) but still perfect.
It takes you on a mood swing ride, but unlike most death metal, it’s not all minor keys. Happy sounding major keys and beautiful melodies take you away on a cloud and drop you into a headbang session, then pick you back up again, just to smash your mind against the rocks of what you thought proggy tech-death could be.
If you don’t own this album, you are missing out on something so wonderful. Please, go to a store and pick this CD up.
10 out of 10.

Cynic on MySpace.