Posts Tagged ‘Surtur Rising’

Johan Hegg is a Huge Dude-Amon Amarth Live!!!

Thursday, April 21st, 2011

The Showbox at the Market-Seattle, Washington-4/20/11

Before I talk about the show, I’d like to apologize for the lack of pictures. This was probably the biggest metal show that has come to Seattle this year, so it was at the Showbox, a slightly larger venue than El Corazon or Studio 7, the clubs that usually book metal bands. I had a photo pass and a camera, but when I tried to get into the photo pit, I was stopped by the venue security. Their reasoning? My camera was a camcorder. So they confiscated it. Nevermind the fact that most compact digital cameras nowadays can capture video. At one of the more typical metal venues in my homeland of Seattle, Washington, I’m pretty sure no one would have complained. Way to go Showbox.

Fortunately, I was able to let that unsavory incident go, and have my face melted properly.  Amon Amarth were absolutely fantastic. I am not a huge fan of melodic death metal, but everyone’s favorite Swedish vikings are a fun live band. They opened with Surtur Rising from front to back. I was more excited for the second half of the set, but  Surtur was obviously a hit with the VERY enthusiastic crowd, 80% of whom were already wearing some kind of Amon Amarth merch coming into the show. The energy was infectious. Vocalist Johan Hegg (who is the bigget human being I have ever seen) bantered with the crowd in between sets, dropping the same lines about the upcoming Thor movie as at the Portland show, as well as a few 4/20 quips directed at the smell of pot drifting through the air, and then pumped his fist along with the crowd as he roared his way through the remainder of the first set.

Unlike the Portland show attended by Funeral Rain’s own Typhon, the sound was perfectly balanced and crystal clear. I could hear every riff, every solo, and even the thudding of the bass. The varying levels of flanger and reverb on the guitars were audible as well; that’s how killer the sound was.

The band were in top shape. A friend of mine who was on the opposite side of the stage from me claims he heard mistakes, but I have no idea what he’s talking about. All I heard was a tight, tight live band. I would say that this was one of the best live shows I have ever been too, even though I am not a fanatical Amon Amarth fan, purely for the utterly next level performance and flawless sound.  It was essentially an album quality experience, plus 500 metal fans on backing vocals and a sweet stage show.

Oh yes, the stage show. Fog galore, and a high quality light show underscoring and emphasizing key points in the music. Behing the drumset was a huge banner emblazoned with the Surtur Rising cover art. In a ridiculous display of endurance, the entire band minus the drummer windmilled and headbanged for the majority of the show. That may not sound impressive, but you go ahead and bang your head for 3 hours and let me know where you end up.

The first set closed with “Doom Over Dead Man”, and the guys went offstage, presumably to drink mead from horns and pillage the monastery down the street before their second set. I have to compliment whoever picked the house music broadcast over the P.A. after Amon Amarth went off. It was almost all classic death metal, including the fitting swedeath anthem “Left Hand Path”. Perhaps it was Amon Amarth’s choice, as they are a Swedish Death Metal band, even if they are far removed from the Stockholm sound of Grave, Dismember, and Carnage.

 During the half hour or so between sets, I made rounds through the crowd. Besides numerous people clandestinely cradling small pipes and bubblers in the crows, I noticed the familiar faces I always see at metal shows around here (including Herb Burke of local death metal gods Drawn and Quartered), but just as many people who didn’t look particularly metal at all. Anyone and everyone, from 13 year olds who were probably at their first metal show to middle aged men in Surtur Rising t-shirts; this is a testament to how immensely popular Amon Amarth has become in the last decade.

Without warning, geysers of fog erupted from the stage, and Amon Amarth came on to begin the second set, this one comprised of various material from throughout ther discography. I cannot describe how cool the opening riff to “Twilight of the Thunder God” is when played from a blue lit stage as Amon Amarth literally emerge from a wall of fog. There was even more audience participation during this set than the first. Most of the audience knew the lyrics to the quintet’s career defining anthems, including “Guardians of Asgaard”, “Without Fear”, and a lengthy medley of other songs. I agree with Typhon that a couple more seperate songs would have been a superior choice to, but the encore more than made up for it.

After exiting the stage a second time, the viking troop responded to the crowd’s chants of “Encore! Encore!” and marched onto the stage a final time, again shrouded in fog but accompanied by the cawwing sounds effects that began “Cry of the Black Birds”. That was the first Amon Amarth song I ever heard, so I was glad to hear it live. But next was the highlight of the night for me: “Runes to My Memory”. EVERYONE knew the lyrics and raised their fists or horns with Johan and chanted the tearjerking chorus of  “Raise a stone for all to see, RUNES CARVED TO MY MEMORY!”. I typed that last bit in caps, because you can’t fucking type that lowercase. Try it, your keyboard will break.

The final song of the night was one which had been conspicuously absent from the set prior to this point, and possibly the band’s most well known song. “Runes to My Memory” couldn’t be topped for me, but everyone else went frantically berserk when Johan Söderberg put his foot on the monitor and played the iconic opening riff to “The Pursuit of Vikings”. Johan closed the show by thanking the fans and promising to return soon. Then we all went home to nurse bruised ribs, sore necks, and other symptoms of heavy metal hangover.

Overall, this was a great, great show. If I could have changed one thing, I would have really liked to hear “Friends of the Suncross, my favorite Amon Amarth track next to the aforementioned “Runes…”. If you have the oppurtunity to see Amon Amarth live, I strongly advise you to take it. Even if you’re not a fan, these Swedish heavyweights are something to behold.

Amon Amarth – Surtur Rising

Friday, March 11th, 2011

Amon Amarth - Surtur Rising

Genres: Melodic Death Metal, Viking Metal
Label: Metal Blade Records

Amon Amarth’s eighth album doesn’t show too many changes with the band, keeping their signature sound pretty much the same, with perhaps more emphasis on more technicality in the drums. There isn’t much growth in songwriting either, but how do you grow from genius anyway?
AA meld gorgeous melodic guitars and bass that are heavy as the hammer of Thor at the same time, with a voice that is made from a mountain range, used in a singularly unique way that’s still melodic singing with a death growl. And it’s all to the tune of ancient Norse mythology!
Sonically, it’s all very Swedish, with some comparative elements to fellow countrymen Dark Tranquillity and At The Gates, with a slightly American polish on the quality of the production.
If this album doesn’t cement their reputation as one of top most important bands in death metal today, I don’t know what will. It’s damn near perfect. And also to illustrate just how much I actually like this album, I preordered it, the box set with the action figure. How many other bands have action figures with their albums?
9 out of 10.

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Amon Amarth – Surtur Rising

Wednesday, March 9th, 2011


Label: Metal Blade

Genre: Melodic Death Metal

To you, Amon Amarth needs no introduction. You own everything they ever put out, including a badly damaged original copy of their debut demo, Thor Arise. You’ve memorized every lyric from every song from Friends Of The Suncross to No Fear For The Setting Sun. You have even been quoted to say that their cover of Sabbath Bloody Sabbath, “wasn’t that bad.”

You’re a fan.

I say this because… you have to be. Amon Amarth is one of the only bands out there that I have NEVER heard anyone say anything truly negative about. (In my review of Twilight Of The Thunder God, I refer to it as merely a “meh” album. I didn’t shit all over it since it was actually a fine album, it just wasn’t anything we hadn’t heard from them before) On top of that, come on! They kick ass! They manage to integrate incredibly violent Viking imagery, beautiful tales of Norse mythology and some of the most fluid and breathtaking melodic death metal into a compact disc every two to three years (on average) for thirteen years! Therefore, anybody who reads this must be an Amon Amarth fan since everybody IS an Amon Amarth fan! (WOOT! LOGIC!!!)

Surtur Rising is Amon Amarth’s eighth full length album and… you know people say that something is exactly like what they expected? Surtur Rising is that. Now, that may sound like a slam to some. But I assure you that it is not since Amon Amarth have a very distinct sound. If you were to play a few seconds of Destroyer Of The Universe to room full of metalheads, guaranteed, all of them will know that that was Amon Amarth even though they never heard the song before. It’s simply a case of “if it ain’t broke, don’t fix it.”

Johan Hegg’s vocals remain the same earth rumbling growl, barking out tales of lumbering giants and the ongoing fables of Loke’s treachery (seriously, they finally continued Hermond‘s Ride To Hel – Loke‘s Trechery, Part I from With Oden On Our Side. Did you think they just forgot about it too?). The riffing bleeds a melancholy ferocity that only Olavi Mikkonen and Johan Soderberg can produce. Believe me, I’ve actively searched for a better melo-death duo and failed every time. Meanwhile, the drumming on Surtur Rising is one of the few things that’s a noticeable improvement. Not that Fredrik Andersson needed to improve his trade at all, but goddamn it he did. The drum work in album opener War Of The Gods alone is awe-inspiring! But then it just keeps getting better until it plateaus in Live Without Regret.

Apparently, if you pre-ordered Surtur Rising, you get two bonus tracks (both of which are covers): War Machine (KISS cover) and Balls To The Wall (Accept cover). I don’t feel like I missed out…

Overall: Once again, I’m left feeling like I’ve heard this entire album before. I listened to Surtur Rising eight times in a row in order to make sure that I wasn’t just being fickle. But all was for not since even though it sounds like every other Amon Amarth album, it’s still 100% badass!

9/10

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