Funeral Rain Press Corps

Where: Starlite Room, Edmonton, Alberta
When: October 7, 2011

Last night I was expecting only to see one band, Alcest, but as it turns out I got to see two.

Junius opened up the show with their brand of American post metal. Isis, Pelican, and Deftones all smashed up together into a gorgeous, heavy blend. These guys are phenomenal live, and even Mrs. Blaspheme is a certified fan now. I hope they feel their reception was good enough for them to come back to Edmonton soon, because I know I’ll be there, at the front. We definitely grabbed one of their CDs on out way out, The Martyrdom of a Catastrophist, as well as a pair of patches.

After Junius awed the crowd, Alcest took the stage with a very warm reception. There were quite of people there for Alcest, rather than the headliner. Neige and his full band (I wondered if he would have a band as the albums are pretty much just him and drummer Winterhalter) were quite the atypical stereotypes of Frenchmen: quiet and polite, rather than loud and polite. And not a cigarette was lit once the whole set! I wish I could have filmed Neige say “We are Alcest from France”, it was the perfect introduction to them.

This is another band that Mrs. Blaspheme has come to love, just as I told her she would. Shoegaze and black metal combine to create a mesmerizing effect on the listener, and the viewer too. I wondered how Alcest would translate live, and they translate just fine. Deep fog shrouded them most of the time, with blue backlighting outlining their obscured forms, but on occasions where the fog dissipated, the whole band was smiling, really feeling the music and the crowd. Along with the Junius CD we left with Le Secret on vinyl and Écailles De Lune Digipak CD.

After Alcest Enslaved were going to play, but we had to leave before then. Which, I must say, is not to slight Enslaved. Rather it’s because we work too much and had been up at four in the morning and had to get up again at five. So a late night was not going to be possible, as my eyes were heavy before Junius even. Also, to be honest, we’ve seen Enslaved before, opening for Dimmu Borgir on their last trip through town, and it was awesome. So hopefully they come back again soon because I would love to see them again. Sorry guys. Next time.

In all, it was a near perfect night. The only blemish on the proceedings was the “7 o’clock” doors (7:45ish) and the 9:15 start time. If only Starlite actually opened their doors when they said they would. Also, if only they weren’t still purporting that Ghost were to be playing the show. Junius were their replacements.

Genre: Shoegaze
Label: Hydra Head Records

I grabbed Jesu’s Silver E.P. on a whim one day. I’ve heard tons of great things about the band, and Justin Broadrick in general, and the CD was a 2 for $30 at HMV, so I grabbed it. And wow, I’m so glad I did, and so is my wife.
The album reminds us of My Bloody Valentine, which is a very good thing, as both of us are huge fans of MBV. I thought it would have been a much harder listen, but apparently the two albums that came before this one were, with Broadrick taking a more poppy approach this time.
The songs have a simplistic bass riff, with swirling guitars that are distorted and heavy, but the true weight comes from Justin’s voice. He’s a great singer, and he really knows how to use what he has for maximum effect. The lengths of the songs themselves are all six and a half minutes or longer, with “Wolves” at 8:27, but like good, well written longer songs, they don’t feel overwhelming or begin to drag on.
I’d recommend this gorgeous E.P. for fans of Broadrick’s other work (Godflesh, Final, Napalm Death), shoegaze fans, and fans of Pelican, Isis, Cult of Luna, etc., as well as fans of Nine Inch Nail’s The Fragile album. There are definitely elements inside of the song “Wolves” that remind me strongly of The Fragile.
9.5 out of 10.

Jesu Official Site

Candlelight Records today confirms October 26 as the North American release date for The Isolationist, the new album from Krieg. Recorded at Volume Studios in Chicago, the nearly hour-long album will challenge the listener with its primitive yet complex sound. It is Krieg‘s sixth full-length recording, and the first since 2006’s Blue Miasma.

Working with producer Sanford Parker (Nachtmystium, Pelican, Yakuza), The Isolationist finds Krieg further experimenting with sound. The rage and dissonance fans have come to expect from the New Jersey band emerges even more frenzied making the journey through this album far more intense than on previous efforts. Vocalist Imperial admits, “The Isolationist presents Krieg at it’s most evolved yet primal state thus far in fifteen years of causing problems for people’s hearing. It is my ugliest and most personal child, going deep into the darkest places in my own history on earth. I’m a fucked up wreck, and this record shows that.”

The Isolationist features performances from guitarist Joseph Van Fossen (Noctuary), bassist Wrest (Leviathan), and drummer Chris Grigg (Woe). “It was an intense process, considering everyone only had a few days in and out due to their own hellish schedules. I was fortunate to work with dedicated artists who each brought their own identity to the project and a good understanding behind the meaning of the record.”

Krieg has been an integral part of the American black metal scene since forming in 1995. In addition to their full-length albums, including 2003’s acclaimed The Black House (which Terrorizer Magazine noted it as “one of the ten most important American black metal records”), Krieg has recorded and released numerous demos, split and live recordings. Fans tally more than 40 individual items as part of the band’s creative efforts. In addition to Krieg, vocalist Imperial has several other band projects including N.i.l., Apothecary.Sound.Lodge and his doom band March Into the Sea. He is also a member of Twilight which features members of Nachtmystium, Leviathan, The Atlas Moth, Isis, Minsk and more.

The Isolationist Track Listing:
1. No Future
2. Photographs from an Asylum
3. All Paths to God
4. Ambergeist
5. Depakote
6. Religion III
7. Blue of Noon
8. Decaying Inhalations
9. An the Stars Fell On
10. Remission
11. Dead Windows

Krieg on MySpace.

This is “Final Breath” by PELICAN. It’s the first song by them to feature vocals.

PELICAN’s Southern Lord Recordings debut full-length What We All Come To Need - originally released in October – will be issued in double-LP format on February 23rd. The deluxe vinyl version bears a beautiful heavyweight gatefold jacket, and the fourth side of the release contains three bonus tracks not available on the CD version.
 
In celebration of the vinyl release of the album PELICAN will play a hometown show in Chicago on March 12th alongside PINEBENDER and FOLLOWS (ex-Russian Circles). This record release show will also be the sole location to purchase PELICAN’s Ephemeral Bean Blend; the band’s own limited edition collaboration with Intelligentsia Coffee of Chicago. The band states: “The richest, most complex flavors take patience and skill to craft and are over far too quickly. In that spirit we are proud to present this blend of coffee beans, who have known artisan care from their moment of inception at the farms at which they were grown to the roastery where their delicate nuances were honed to perfection by the skilled craftsmen at Intelligentsia. Enjoy the moment while it lasts.”
 
PELICAN will also take part in the recently-announced Scion Rock Fest in Columbus, Ohio on March 13th. The free event features more than 20 bands including SHRINEBUILDER, YOB, ABSU, D.R.I., CANNIBAL CORPSE, VOIVOD, TRAP THEM and more. See the full lineup here: http://www.scion.com/rock.