The 11th Hour – Lacrima Mortis (Review)

Posted in Reviews on December 26th, 2011 by General Blaspheme

The 11th Hour - Lacrima Mortis

Genre: Doom
Label: Napalm Records

Coming out next month, Lacrima Mortis (translates to Tear of Death) is the second offering from the Dutch doom mastermind Ed Warby, who is showing not only songwriting growth, but also a penchant for crushing the life out of the listener in a blissful, cathartic way.
Slow, plodding riffs that are heavier than death itself are, naturally, the main course in this feast for the ears. Piano, however, comes to play quite a bit in The 11th Hour’s sound, as does the occasional sample. Ed’s singing is even more exceptional on Lacrima Mortis, with a greater range than what was found on the debut album Burden of Grief.
The “newcomer” to the band is Pim Blankenstein, who has been the death growler for the live band since the release of Burden of Grief. He is replacing Rogga Johansson, who was only present on the debut. Pim’s work on Lacrima Mortis is great, his style of growls complimenting Ed’s clean singing even more so than Rogga (who did a fucking killer job himself). He sounds like he would be a monster on the live stage.
At the end of it all, after the headbanging and the fist pumping and the beer swilling, Lacrima Mortis stands as an album that can also be listened to with headphones and introspection; it an album that will stand monolithic, for me, for years to come. If you like your doom metal to be heavy, melodic, and just plain beautiful, get your hands on Lacrima Mortis, and if you haven’t yet, Burden of Grief as well. Both discs are the beginnings of what I feel could be a doom band that stands on the same ground as Saint Vitus, Trouble, Cathedral, and the mighty Black Sabbath. All they need is the fans to truly pay attention and support.
10 out of 10.

The 11th Hour on Facebook.

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Van Canto – Break The Silence

Posted in Reviews on October 2nd, 2011 by Typhon

Genre: Power A Cappella
Label: Napalm Records

I was a little more than excited when I saw that there was a download link waiting in my Inbox from Napalm Records. Why? Because I had heard earlier that day that I should be receiving the (then) upcoming album from the world’s greatest a capella  metal group, Van fucking Canto!

My initial thoughts on the album based entirely on the promo info, before I actually listened to it (past the deafening “SQEEEEEEE” sight reaction) were as follows:

- Did I accidentally download a Dragonforce album? The cover says “yes”.
-  Could they of chosen a more generic album title?
-  A cover of Sabaton’s Primo Victoria featuring guest vocals by wildman Joakim Broden? Too much!!!

And now, after listening to it for a couple of weeks straight:

After getting over a bit of a sour patch with this album (since I wasn’t instantly enthralled with Break The Silence like I was with Tribe Of Force, fear that all of those “poser metal/gimmick metal insults were true) I had come to find that it is in fact a robust album, full of catchy melodies and a metric ton of fun! Album opener If I Die In Battle sounds like it could be yet another tribute to Manowar… which it isn’t… at least I don’t think it is. Either way, it’s a great way to start things off.

I mentioned a Sabaton cover of Primo Victoria earlier. Yeah. This cover fucking kills! I’m going to go out on a limb and say that it dwarfs the original in terms of awwwwwwesome (no disrespect to Sabaton at all since the song wouldn’t exist without them). After that, Black Wings Of Hate is a beautifully track where Inga takes the lead and just owns it all.

I noticed that in a lot of the reviews about Van Canto feature either no mention of the rakkatakka or they bash the guys who belt this shit out. I think these guys rule! How many of us can honestly do what they do? Honestly, I think they have a much harder job than anybody else in the band (especially Ingo! Up to about five minutes of DOOMDOOMDOOM would destroy a lesser man!) Also mysteriously missing from the spotlight in other reviews, drummer Bastian Emig. The man is a machine and nobody seems to care! Well, I for one salute this (probably) mechanized percussionist for his energy throughout the album and albums past!

Overall: I wasn’t nearly as initially impressed as I was with Tribe Of Force. But after a couple of listens, I found that they are equal in quality. Break The Silence is an excellent album from a band that doesn’t get the recognition it deserves in the metal community. Hopefully this review will change a few minds and bring a few more fans their way. They deserve it all.

8.5/10

Van Canto On Facebook

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Live Review: Vreid with Kampfar, Necronomicon, Civil Savage

Posted in Live Reviews on September 4th, 2011 by General Blaspheme

The Black Path of America Tour

When: September 3, 2011
Where: Pawn Shop, Edmonton, Alberta

When presented with the opportunity to go to see the Black Path of America Tour with Vreid, Kampfar, and Necronomicon, I was honestly at first not really excited. I’ve been burnt out on live shows to some extent, but I decided to go anyway because I hadn’t heard either Vreid or Kampfar, despite getting the opportunity to get promos for review. Mrs. Blaspheme was also a little on the pensive side, mostly because it was going to be an early show (5 PM) and that meant she had to get off work early and screw around that way.

But we do our thing, go to the venue, wait a little with tanks for both of us, and the show begins with Civil Savage, a local black/death group I’d never heard. But they looked familiar. Most of the members I’ve seen attending shows before, with their bassist very familiar: he’s also the bassist for Sonorous Odium. These guys were pretty fucking good, too! A good mix of black and death, with an original sound (meaning not hypersymphonic or Behemoth clones). Definitely one of my favorite metal bands from Edmonton, I hope to see them again soon.

After a nice and short wait after Civil Savage, Necronomicon hit the stage. Quebec’s blackened death old schoolers are finally back in Edmonton to show us what they’ve got. And for those that are not true believers, see these guys live. And yes, I mostly mean Typhon and anyone else who think Necronomicon are Behemoth wannabes. Fuck do these guys kick ass, and they were much loved by Mrs. Blaspheme as well. For whatever reason they all reminded her of cats, with Rob the Witch and Rick reminding her of lions while Armaros seemed to be more like an ocelot. So black metal dudes that seem to be cats that are from Quebec and beyond happy to be in Edmonton again make my wife happy. The same goes for me. Playing tracks from their entire catalog, Necronomicon really amped up the crowd, playing like they were the headliner rather than an opener. They better be back soon!

Again, a wonderfully short wait later and Kampfar take the stage, using Necronomicon’s drum kit. And holy fuck was this the kind of black metal I needed to hear. True fucking Norwegian black metal with a hell of a lot of folk leanings. Blasting their way through a ton of songs, after their set I bought two of their CDs (Mare, the newest album, and Heimganng, the last one) and Vreid’s V and Necronomicon’s The Return of the Witch. The set itself was full of old and new songs apparently, and many people were screaming along with Dolk the entire time. Dolk himself was on fire, and a very gracious man, constantly thanking us for being the fans we are, as well as the rest of the band. Quite frankly, between their performance and the way the crowd responded, this could have been the end of the night. They played like absolute headliners, it was pure enjoyment for everyone involved.

After the set, when grabbing the CDs, Kampfar’s guitarist (who’s name eludes me, I feel horrible!) was hanging out. I got him to sign my copy of Mare, and he warned me he was not on the album. I asked if he minded signing anyway, if it bothered him to sign CDs he’s not on, and he said he’d be happy to sign. So he did!

Between Kampfar and Vreid there was about ten minutes, at the max. These people are so fucking professional, it’s insane.

Vreid, who I hadn’t heard before remember, got up and ready and turned the night up from ten to eleven. Norwegian black ‘n’ roll FOR THE WIN! You’d think this was the first night of the tour, not the tenth, they performed so hard so fast so awesome, it was unreal. Wicked riffs, killer solos, and a vice-tight rhythm section were paired with performers who were putting everything they had into the show, and at the end of it they were sweaty and smiling. Mrs. Blaspheme and I, up front and stage right, were right in the heart of the storm that Vreid were throwing around; a storm that the crowd responded to with a hunger for more, and Vreid responded by providing more.

I can honestly say I haven’t had that much pure FUN at a metal show before. All of the bands on the bill were awesome, and all of them said they can’t wait to get back to Canada. I know I’ll be at the front when that happens.

In all, it was a perfect night. Not only was it an early show, but and early end on a massively high point. Thanks to Civil Savage, Necronomicon, Kampfar and Vreid for coming. See you all again soon hopefully. You’ve made me love live music again!

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Draconian – A Rose For The Apocalypse

Posted in Reviews on June 29th, 2011 by Typhon

Genre: Gothic Metal, Doom

Label: Napalm Records

Ah, Draconian. When referring to a law or the application therefor of, it means to be extremely harsh and/or outdated. But when referring to the Swedish gothic doom band, this is most certainly not the case! I wonder if there is an actual correlation between the name they chose and their music? Maybe they sing in the language of the dragons?

As soon as things start moving along, I’m instantly reminded of Battlelore. A tired and overdone comparison I’m sure, but an accurate one at that (Yes, I know that Draconian predates their Finnish label mates by about five years, but I heard Battlelore first so the comparison stands further). Opening track The Drowning Age is a behemoth of steel thorns and rows and rows of severed heads on pikes! Every time I hear the line, “Let’s bring our Gods to the gallows; a new moon will shine on you!” I get the goosebumps!  (Plus, any song that mentions the Chimera is insta-win in my book since it’s my daughter’s name.)

If there’s one thing that Draconian does right in A Rose For The Apocalypse, it’s the darkly romantic mood it casts in both the lyrical and instrumental senses. Elysian Night is an excellent example of this with it’s slow tempo, melodic female vocals (also the best song to just sit and groove on her singing as well) and expertly sectioned synths. The later is something that most bands of this kind of genre tend to overuse or turn into a gimmick. Thankfully, Draconian does not.

However, what they do overuse is they same basic song structure for just about every song on the album. If you don’t mind your gothic doom a little on the repetitive side (and how can you not since it’s another pitfall that these type of bands fall into) then this won’t bug you in the slightest.

Overall: A Rose For The Apocalypse is an extremely enjoyable album. From the depths of the nightmare evoking growls to height of the ethereal lyrics, Draconian drinks from the chalice of awesome!  …even if none of them sound like Sean Connery. (BOOM! Dragonheart reference!)

9/10

Draconian Official

Draconian On Facebook

Draconian On MySpace

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Karma to Burn – V

Posted in Reviews on June 28th, 2011 by General Blaspheme

Karma To Burn - V

Genre: Stoner Metal
Label: Napalm Records

After being fired by Roadrunner Records for firing their singer, these instrumental stoner metal innovators found a fair amount of notoriety. But then without Roadrunner or a singer, they moved onto Spitfire then Napalm and have since (or so it seems) found even more ways to create moving, instrumental metal.
Riff after riff is churned out on V, and not a single one is wasted or filler. Each song (still only titled with a number) is a perfect desert jewel that shines brightly with it’s own strange, sometimes psychedelic light. They could all easily feature vocals, as all have verses, choruses, and bridges. But thankfully all but three have such a distraction from the awesome tone.
I’m especially particular to Rich Mullins’ bass tone and technique. Very classic sounding, but still his own.
The songs “The Cynic”, “Jimmy Dean”, and “Never Say Die” are the ones with a singer, a man by the name of Daniel Davies, also from the band Year Long Disaster. His voice is perfect for K2B’s reverb drenched music, and is a highlight of the album.
And yes, “Never Say Die” is a Black Sabbath cover, and it’s a fucking killer rendition. Faster, with a very different energy. The man sounds nothing like Ozzy (who does, really?) but he definitely owns this song, making it a Karma to Burn track more than a Black Sabbath cover.
V kicks ass.
7.5 out of 10.

Karma to Burn on Facebook.

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