Posts Tagged ‘Judas Priest’

Wodensthrone – Curse (Review)

Tuesday, July 24th, 2012

Wodensthrone - Curse

Genre: Black Metal
Label: Candlelight Records Cult Series
Format: Digital Promo (Earsplit PR)

In all reality, I didn’t think that Wodensthrone would be able to match their work with their debut album Loss. As it turns out, I was wrong. Not only have they matched Loss, but with Curse they may have even surpassed it.
The band takes traditional, old styled black metal like that of Bathory, Darkthrone, etc., and infuse it with folk-like elements and a serious sense of true British-ness. They remind me of a prettier (but no less vicious) Kampfar, really, but if one were to take the time and truly listen to this album, they would hear a touch of death metal at times and even some classic stuff that brings Judas Priest to mind.
Favorite songs are “Wyrgthu” and “The Name Of The Wind”.
10 out of 10.

Curse Tracklisting:
1. The Remaining Few
2. Jormungandr
3. First Light
4. The Great Darkness
5. Battle Lines
6. Wyrgthu
7. The Storm
8. The Name Of The Wind

Curse Personnel:
Wildeþrýð – Vocals/Guitar
Rædwalh – Vocals/Guitar
Árfæst – Keys/Atmospherics
Gerádwine – Bass
Hréowsian – Drums/Vocals

Wodensthrone on Facebook.

City of Fire – Self-Titled

Wednesday, June 29th, 2011

City of Fire - Self-Titled

Genre: Hard Rock
Label: Stomp Records

Byron Stroud, best known for his work in Strapping Young Lad and Fear Factory, started this band from the reunion of Caustic Thought, and brought Burton C. Bell in when the original singer decided not to take part. So what ended up happening is a strange little bastard child was created with City of Fire – its a beast with a very diverse set of teeth.
Opening with the particularly catchy/nut punching “Carve Your Name”, a mood is definitely set for the album, and it’s obvious it’s not a cheery one. The music seems to be taking cues from death metal, with maybe a bit of Iron Maiden and Judas Priest influence (a nod to trad metal song structure/tone) or even Canadian hard rock from the 90′s (hm… strange that…).
There’s even some touches of Type O here.
Overall, there’s tons of stuff going on with various tempos, moods – usually angry or melancholic moods – and textures in the general sound of the album. A great thing about this is it’s catchiness. It wouldn’t surprise me if you checked it out and was singing choruses the next day.
At first listen, however, I hated this. I even wrote a different review that ripped this album all new sets of assholes. Then I listened to it again, and realized it’s pretty damn good. And that I shouldn’t listen to review material when I’m in a bad mood.
Favorite tracks: “Carve Your Name” and “Rising”. The latter s a great hard rock tune while the former is an angry metal song that will definitely get stuck in your head.
7 out of 10.

City of Fire on Facebook.

Interview with Benedictum

Saturday, June 18th, 2011

Immediately after typing up my review for Benedictum’s Dominion album, I typed up some questions for their guitarist Pete Wells. Here they are, complete with his answers.

To start off, Benedictum is not your first band with Veronica. Could you talk about your first projects and what brought about the forming of Benedictum?

Yes, the 1st project we were involved in was called Medusa. That band was a melodic power metal band. After Medusa, we formed Malady which was more of a melodic metal band. Malaldy was one of the top acts in the San Diego scene but could never quite get over the hump. Malady came to an end and Veronica and I decided to give it one last chance. Malady had shown a lot of promise and had some label interest but didn’t materialize. Veronica was playing part time in a dio tribute band with original Benedictum drummer Blackie Sanchez and keyboardist Chris Morgan. We later added bassist Jessie Wright.

Did you release anything from these other bands?

Nothing on a global level. We did record a CD for Malady but was only released independently.

How long have you been playing guitar? Are you self-taught, or did you get lessons?

I’ve been playing now for about 25 years. I’m mostly self-taught. Playing guitar came naturally for me. I took lessons for about 3 months to figure out what I was doing and get some theory so I could communicate musically.

When did you begin writing your own music?

I started writing my own songs after about 6 months of playing when I joined my 1st band. We played mostly Judas Priest and Scorpions songs and some Crüe hahahhaaaa

What brought you to the allegiance of metal?

My introduction to metal came late. I was given Kiss Alive on LP and was hooked. I started playing guitar after seeing Randy Rhoads on the Diary of a Mad Man tour. I came home from the show and the next day I talked my mom into buying me a guitar.

Are there any other genres of music you’re into? How about genres of metal, any in particular that you’re a follower of?

I like all kinds of different genres. Anything from country to classical. If it’s good and sparks something with me I’ll listen. I love 80’s and 90’s thrash and bands that are heavy and progressive like Symphony X.

What are you finding to be the most difficult part of the music industry?

I would say the business side of things. It’s hard to know who to trust, and who’s really behind you.

How about the easiest?

The easiest for me is the song writing. I love the creative process

And what is the most rewarding part for you?

The most rewarding is a toss up, hahahaaa. I love hearing the final results of the writing process when you get to sit down and listen to how the new songs came out. But performing live and touring is my favorite and most rewarding aspect of being in a band.

What kind of guitars are you using, and through what pedals and amps? Is there any kind of particular pedal-to-pedal set-up you’re using that you’re finding is the best way to get your tone? Or is your tone in your amps?

For my live setup I use my Wullfson custom shop star body shape guitars through a 1st generation line 6 flextone head that has an artist endorsers chip that head is amazing I recorded all of the solos on the new CD with that amp. For a pedal, I use the boss ME-50. In the studio it’s a toss -up. For each song we would go through all the amps to see which amp sounded the best in the track and the style of the song. We used a mesa mark 3 c, a mesa modified tremo-verb head and an old blackface dual rec head. I believe I get my sounds more from the way I play than anything. Also the way I use reverb and delay.

Do you plan on doing any extensive North American touring for Dominion, or are you going to keep it in the US for now?

To be honest were not limiting us to just 1 region. We would love to play in Canada this year or early next as well as Mexico central America and south America. Our management and booking agents are working hard to put some things together for us that make sense.

And finally, thank you for being willing to subject yourself to my questions Pete. Is there anything else you’d like to add to this?

Yes, please support your favorite bands by buying their CD’s. it cost money for the artists and record companies to make music. The illegal downloading or copying of your favorite bands music is only going to hurt you the listener as it may become impossible for those bands to continue making music. So please support your favorite band and buy a copy of their CD. Thanks for this opportunity to chat. Horns UP High!!!!!!!!!!!!!!!

Benedictum – Dominion

Friday, May 27th, 2011

Benedictum - Dominion

Genres: Heavy Metal, Power Metal
Label: Frontiers Records

It’s a boring Holiday Monday here at FRZ HQ as I type this, and to bust up the boredom, Benedictum come crashing in with some great heavy metal with good amounts of power thrown in for measure.
The guitars of Pete Wells are shredtastic riffs and Veronica Freeman’s vocals are stellar. Chris’ five string bass and Mikey’s drumwork form a solid spine to support everything else, along with Tony’s keys (which I wish were a little more present).
This stuff rocks, perfect for fans of Judas Priest, Armour, and Iron Maiden. They’ve been noticed by metal god Ronnie James Dio and worked with George Lynch and Jeff Pilsen, and this album, their newest, hold much promise to bring Benedictum to the fore of American traditional metal.
7 out of 10.

Benedictum on Facebook.
Benedictum Official Site.

Monsterworks – The God Album

Monday, February 21st, 2011

Monsterworks - The God Album

Genre: Melodic Death Metal
Label: Casket Music

Melodic death metal from England, but originally from New Zealand, Monsterworks steps up to fill an interesting void that I didn’t know existed. Inspired by Deicide and Queen, full of melodeath riffage (think early In Flames, Dark Tranquillity, and Cynic) and mixed death and classic metal vocals (Cryptopsy, AC/DC), The God Album is a really good listen.
It’s definitely not for everyone (hipsters beware!), as it’s a little bit of a tough-to-digest listen if you’re not fluent in metal. True fans of multiple genres will find this to their tastes I’m sure.
Favorite tracks are “Everything You Believe is a Lie”, “The Enemy of My Enemy”, and the album closer “(Hymn of) Fire”.
7 out of 10.

Monsterworks on Facebook.
Monsterworks on MySpace.