Posts Tagged ‘Immortal’

Aura Noir – Out To Die (Review)

Tuesday, July 24th, 2012

Aura Noir - Out To Die

Genre: Blackened Thrash
Label: Indie Recordings
Format: Digital Stream (Earsplit PR)

One band that I’ve known about forever but have never checked out is Aura Noir, and I’m now kicking myself in the ass for not checking them sooner. It’s no wonder why they come up a lot when it comes to talks about black metal meeting thrash. These guys make a perfect example of the genre.
Parts of this remind me of a version of Metallica with actual balls. Parts remind me of Venom worship. And parts even remind me of Darkthrone’s The Cult Is Alive album. Granted, it’s not like Aura Noir are legitimate friends with Darkthrone or anything.
There isn’t really much to say. Fast, faster, and fastest riffs fill this album from front to back, and a disgusting necrotic stench emanates from every vocal. Solos are ear piercing and finger breaking, drums are deep with some snare click and fast, and the bass compliments rather than takes any form of front seat. This is fucking awesome!
If you want your thrash punked up with a nice coat of blackened grave dirt, this album is for you.
8 out of 10.

Out To Die Tracklisting:
1. Trenches
2. Fed to the Flames
3. Abbadon
4. The Grin from the Gallows
5. Withheld
6. Priest’s Hellish Fiend
7. Deathwish
8. Out To Die

Out To Die Personnel:
Aggressor – Vocals/Guitar
Apollyon – Vocals/Bass/Drums
Blasphemer – Guitar

Aura Noir Official.
Aura Noir on Facebook.

Vreid – V

Monday, September 5th, 2011

Vreid - V

Genres: Black Metal, Black ‘n’ Roll
Label: Indie Recordings

True Norwegian black metal combined with the progressive mindset of Opeth and the straight forward approach of good old rock results in the great combination that is V (vee, not five).

Strong riffs that evoke black metal as well as some elements of death, thrash, and punk form the basis of the songs. There are even some forays into a folk metal territory, which is just fine by me. I love that stuff.

The songs themselves, unlike Opeth’s epics, rarely make it much past the five minute mark, with only “The Other And The Look” reaching the 10:31 mark. All of them are well crafted, thoughtfully arranged to lead you from beginning to end, rather then start you on a journey and then just drop you off somewhere lame, and all of them follow a great progression through the album as well, meaning listening from beginning to end gives you the impression of something larger in scope, while still having distinct individual songs to listen to. Plus, no riff overstays its welcome, no drum beat is unnecessary, no bassline a third wheel, the keys are always a nice coloring to the music, and Sture’s vocals are always a good overlay. In other words, it’s full of wonderful songcraft. These men know their shit.

If you’re a fan of Immortal, I, Ritual, Morgul, Black River, and their like, then V is right for you.

9 out of 10.

Vreid on Facebook.

Pale Chalice – Afflicting The Dichotomy Of Trepid Creation

Friday, March 18th, 2011

Genre: Black Metal

Label: Flenser Records

Pale Chalice’s press release states that this group of five novelty named musicians is based in San Francisco, California. If I didn’t know any better, I’d of sworn they were from early 90’s Norway. I’m sure that to most, that’s a insta-win and elicits a corpse painted chubby. But it takes more than idol worship to win me over. Let’s see how this highly praised (by General Blaspheme anyway) black metal troupe fares by way of my fuzzy by sinus congestion, ears.

Immediately, Pale Chalice sounds pretty generic and a sense of grim déjà vu hits you like a menstruating older sister. (Immortal’s early, more raw material comes to mind.) And while that is always a more than welcome style, it’s still nothing to write home about.

The vocalist has a perfect voice for black metal. So no complaints there. The guitarist plays some solid riffs and kicks up the tempo when the need arises… wait, there are two guitarists? Shit. You could of fooled me. There isn’t nearly enough going on in this EP to warrant a second axeman. As always in this particular genre, the drums are fast. Lots of snare. Not enough of anything else to fuck up.

I noticed that in Caressed By A Feeble Flame, there is more of a punkier influence as a bit more of a crustier sound is incorporated. This, I can get behind! They hold it over into closer Ascend The Idyllic Sphere at least part way, before it collapses back into Grim BM 101.

Overall: Pale Chalice is a serviceable band at the very least. Afflicting The Dichotomy Of Trepid Creation would make a great jumping off point for someone new to the fundamentals of the darkest of all metals and an overall enjoyable release for anyone else. But is it anything that’s going to change the way we listen to black? Do I expect these guys to turn any heads or convert the naysayer’s of the genre? Not at all.

6.5/10

Pale Chalice On MySpace

Hrizg Sign to Moribund, Set Release Date for New Album

Saturday, February 26th, 2011

Hrizg - Anthems to Decrepitude

Today, Moribund Records announces the signing of Spanish black metal inquisition Hrizg. Hrizg is the sole vision of its creator, also monikered Hrizg, and his first record for Moribund shall be Anthems to Decrepitude, set for release on May 3rd. This groundbreaking newcomer possesses a hideous spirit that resounds across times both modern and distant, and his Anthems to Decrepitude is a startling synthesis of sepulchral atmosphere and dynamic songwriting, all housed with an exquisitely morbid soundfield. Respectful of black metal’s past but committed to forging its future – heed Hrizg’s call and sing Anthems to Decrepitude!

Hrizg

Hrizg‘s bio, as explained by the man himself:
“I created Hrizg in 2005 as a one-man band of black metal in the old way, regarding influences from early albums of Satyricon, Mayhem, Dodheimsgard, Immortal, or Burzum – mainly in the old Norwegian vein, but I added my medieval and Celtic background so, Hrizg could sound a bit different, overall, by the vocal lines. I think the vocals are quite different from the typical black metal screams.

“I recorded two rehearsal songs with a session drummer called Misanthate – who played in several bands like Eldereon, Daemonlord, Flowing Crimson, Spawned and Detriment Sorrow – but this collaboration finished in these songs. Just after it, I made some more by myself, and I released it under the name of Oaken Path of Grief in 2006 on Varjot Productions, from Finland. They released 300 copies in tape format. This same year, I contacted Wraith Productions. They offered me to release this stuff in CD format, and that happened in 2007. After that, Wulfrune Rexxx re-released the tape version of this album, but all this stuff is sold out now.

“In 2007, I recorded two demos and one video-clip of the track ‘Si Vis Pacem Parabellum,’ taken from the Enemy of Weakness demo, which was out on split tape with Mortuus Caelum (Greece), through the Spanish label Final Embrace Records. After some other demos with no release, I recorded Anthems to Decrepitude in the last days of 2008. Anyway, the mix sessions took part in early 2009. In 2010, I released this stuff through my own demo label, Morbid Shrine Productions, and I sent a promo CD to Odin Thompson [Moribund label boss], and he offered me to release it in CD.

“This is my official discography:
- Oaken Path of Grief (full length), 2007
- Enemy of Weakness (demo), 2008
- Anthems to Decrepitude (Full length), 2011

“All my demos are still with no release, but some of them will be out this year, I hope.

“My goal is to make music and release it with a serious label. I waste a lot of time writing and producing my songs and writing all my lyrics, which are full of symbolism and meaning in the esoteric and Luciferian way, and taking some influences of religion, myths and Celtic history. I try to exteriorize all my hate and negative feelings through music, too, but not all – I leave something for the daily life! I would like to make gigs, too, but I guess that’s very difficult now, and really, that’s not very important for me.”

Lilyum – Crawling in the Past

Saturday, February 12th, 2011

Lilyum - Crawling in the Past

Genre: Black Metal
Label: Mal Eventum

Lilyum have been one of my favorite Italian bands ever since they first sent me their album Ultimatum. In fact, they’ve been one of my favorite black metal bands in general, really.
J.H. Psycho and Kosmos Reversum have produced another shit kicking album that continues their sound from Ultimatum and Fear. Tension. Cold., offering new things to the listener, but keeping it still Lilyum. The vocal style has changed somewhat, being more of a deeper growl at times, and the riffs are stronger, more like a Darkthrone or an Immortal-esque black ‘n’ roll more often than being a straight up black metal, and these changes are more than welcome by me.
In all, Crawling in the Past kicks ass.
8 out of 10.

Lilyum on MySpace.