Posts Tagged ‘Blackened Death Metal’

Impiety: Blackened War Beasts to Release New Album

Monday, March 26th, 2012

Impiety - Ravage and Conquer

Legendary Singaporean blackened warbeasts Impiety are set to unleash eighth studio album through Pulverised Records this May. Offering up eight grisly tracks, including a cover of Bathory’s “Sacrifice,” the aptly titled Ravage & Conquer was recorded, mixed and mastered over a course of two weeks at Studio 47 in Singapore and features cover art by renowned illustrator, Lord Sickness (Sabbat, Witchaven, Zygoatsis, etc).

Savagely innovative, technical, and uncompromising, Ravage & Conquer lives up to its name. Led by frontman Shyaithan, Impiety’s covenant of chaos remains impenetrable, delivering some of the harshest and most vicious brand of blackened death metal the world has witnessed.

Impiety

Ravage & Conquer Track Listing:
1. Revelation Decimation
2. Ravage & Conquer
3. Weaponized
4. The Scourge Majesty
5. War Crowned
6. Legacy Of Savagery
7. Salve The Goat
8. Sacrifice (Bathory cover)

Impiety Personnel:
Shyaithan – Bass, Vomit
Nizam Aziz – Lead Guitars
Dizazter – Drums

Ravage & Conquer will be released in North America via Pulverised Records on May 8, 2012.

Impiety on Facebook.

Fester Reveals New Artwork; Streams Song Via BraveWords

Tuesday, November 15th, 2011

Fester - A Celebration of Death

Norwegian pioneers in blackened death metal, Fester have revealed the cover art and tracklisting for their forthcoming new album, A Celebration Of Death. The band’s first offering of new material in 17 years, A Celebration Of Death will be out in early 2012 through Abyss Records. In an exclusive premier, Bravewords.com is now streaming the track “Rites of Ceres.” Visit this location to experience the return of Fester!
The cover for A Celebration Of Death was painted by artist Eliran Kantor (Testament, Sodom, Atheist, Sigh, Anacrusis). The rest of the layout was done by Joce of Industrie Chimere Noire (Portal, Ghäst, Total Holocaust). The core members of the band, bassist Jon Bakker (Kampfar), vocalist Thomas Andersen and guitarist/vocalist Bjørn “Tiger” Mathisen, all made the following comments regarding the album:

A Celebration Of Death is a whirl of flavours hitting you all at once. All the varieties makes you spin the tracks over and over again. A real treat for the fans of Black, Death and Doom. The mix of musicians makes everything really original, but all in all Fester reeks through it all.” – Jon Bakker

“For me personally, A Celebration of Death has the ultimate lyrics evolving the theme of death, and it manages to pull all my aggression just to the edge, without turning over “ – Thomas Andresen

“Have you ever felt the sensation of darkness and death embracing you, and that you actually welcome it? Like love, death comes in all different shapes and sizes, and I really feel that we have captured our feelings around the theme. It’s darker and more melancholic than our previous releases, but it’s FESTER no doubt!” – Bjørn “Tiger” Mathisen

Tracklisting:
Rites of Ceres
The black tower
March of death
I’ll hunt you down
Metalized
Jeg spytter på deg
Last day of battle Pt.I
Last day of battle Pt.II
A Face for a funeral (bonus)
Rites of Mortiis (Remix of Ceres by Mortiis)

In addition to Bakker, Andersen Mathisen, A Celebration Of Death also features Audun Kleive (session drums), Raymond Pellicer (additional guitars, programming and synth), Eivind Aarseth (additional guitars), Guido Saint Roch (guest vocals on “Metalized”) and Mortiis (Dark Converter). For more on Fester, visit the band’s Facebook page. Norway’s atmospheric masters have returned to once again change the face of black/death metal. Prepare yourselves…

Live Review: Vreid with Kampfar, Necronomicon, Civil Savage

Sunday, September 4th, 2011

The Black Path of America Tour

When: September 3, 2011
Where: Pawn Shop, Edmonton, Alberta

When presented with the opportunity to go to see the Black Path of America Tour with Vreid, Kampfar, and Necronomicon, I was honestly at first not really excited. I’ve been burnt out on live shows to some extent, but I decided to go anyway because I hadn’t heard either Vreid or Kampfar, despite getting the opportunity to get promos for review. Mrs. Blaspheme was also a little on the pensive side, mostly because it was going to be an early show (5 PM) and that meant she had to get off work early and screw around that way.

But we do our thing, go to the venue, wait a little with tanks for both of us, and the show begins with Civil Savage, a local black/death group I’d never heard. But they looked familiar. Most of the members I’ve seen attending shows before, with their bassist very familiar: he’s also the bassist for Sonorous Odium. These guys were pretty fucking good, too! A good mix of black and death, with an original sound (meaning not hypersymphonic or Behemoth clones). Definitely one of my favorite metal bands from Edmonton, I hope to see them again soon.

After a nice and short wait after Civil Savage, Necronomicon hit the stage. Quebec’s blackened death old schoolers are finally back in Edmonton to show us what they’ve got. And for those that are not true believers, see these guys live. And yes, I mostly mean Typhon and anyone else who think Necronomicon are Behemoth wannabes. Fuck do these guys kick ass, and they were much loved by Mrs. Blaspheme as well. For whatever reason they all reminded her of cats, with Rob the Witch and Rick reminding her of lions while Armaros seemed to be more like an ocelot. So black metal dudes that seem to be cats that are from Quebec and beyond happy to be in Edmonton again make my wife happy. The same goes for me. Playing tracks from their entire catalog, Necronomicon really amped up the crowd, playing like they were the headliner rather than an opener. They better be back soon!

Again, a wonderfully short wait later and Kampfar take the stage, using Necronomicon’s drum kit. And holy fuck was this the kind of black metal I needed to hear. True fucking Norwegian black metal with a hell of a lot of folk leanings. Blasting their way through a ton of songs, after their set I bought two of their CDs (Mare, the newest album, and Heimganng, the last one) and Vreid’s V and Necronomicon’s The Return of the Witch. The set itself was full of old and new songs apparently, and many people were screaming along with Dolk the entire time. Dolk himself was on fire, and a very gracious man, constantly thanking us for being the fans we are, as well as the rest of the band. Quite frankly, between their performance and the way the crowd responded, this could have been the end of the night. They played like absolute headliners, it was pure enjoyment for everyone involved.

After the set, when grabbing the CDs, Kampfar’s guitarist (who’s name eludes me, I feel horrible!) was hanging out. I got him to sign my copy of Mare, and he warned me he was not on the album. I asked if he minded signing anyway, if it bothered him to sign CDs he’s not on, and he said he’d be happy to sign. So he did!

Between Kampfar and Vreid there was about ten minutes, at the max. These people are so fucking professional, it’s insane.

Vreid, who I hadn’t heard before remember, got up and ready and turned the night up from ten to eleven. Norwegian black ‘n’ roll FOR THE WIN! You’d think this was the first night of the tour, not the tenth, they performed so hard so fast so awesome, it was unreal. Wicked riffs, killer solos, and a vice-tight rhythm section were paired with performers who were putting everything they had into the show, and at the end of it they were sweaty and smiling. Mrs. Blaspheme and I, up front and stage right, were right in the heart of the storm that Vreid were throwing around; a storm that the crowd responded to with a hunger for more, and Vreid responded by providing more.

I can honestly say I haven’t had that much pure FUN at a metal show before. All of the bands on the bill were awesome, and all of them said they can’t wait to get back to Canada. I know I’ll be at the front when that happens.

In all, it was a perfect night. Not only was it an early show, but and early end on a massively high point. Thanks to Civil Savage, Necronomicon, Kampfar and Vreid for coming. See you all again soon hopefully. You’ve made me love live music again!

Arkhum – Anno Universum

Saturday, June 4th, 2011

Genre: Blackened Death Metal

Label: Vendlus Records

Arkhum is a band from Eugene, Oregon (yes, the one mentioned in that Sublime song… do you have any idea how many times I’ve been asked by out of staters about that shit?) that has been gaining notoriety at the same rate your mom’s throat gains scar tissue thanks to their chaotic live shows and ability to fervently release demo after demo after live video after single after EP after demo, etc… in five years!

I can say this with 100% certainty: the vocals WILL divide. They do this thing were they trick you into thinking that they’re decent brutal death metal growls, but as soon as you get comfortable they sink into what I’ve always hypothesized would happen if you gargled with raw sewage.

The guitars on the other hand are a mind blowing balancing act of Gigan-ish wankery, just right Wolves In The Throne Room inspired riffs and brain melting solos! Though, after a few tracks, it all does start to get a little old (it took me about five tracks before I wanted to listen to something else the first time through). The only thing that I can say is flawless is album closer Expendable Biomass. Take everything I complained about thus far and rotate it one hundred and eighty degrees! It’s five minutes and thirty three seconds of “YES! BANG YOUR FUCKING SKULL UNTIL SOME OF THAT SWEET GRAY SOUP OOZES OUT!”

On top of that, there is one other thing that nobody can object to and that’s the lyrics (look ‘em up because there is no fucking way you”l be able to understand them if you just jump right in). When you’re songs are about mechanical microorganisms, R’lyeh, or if you even mention the Ptolemaic System in passing, my inner sci-fi/sci-non-fi geek goes berserk! Arkhum has made a fan, right here.

Overall: Anno Universum may not be for everybody. Hell, it almost wasn’t ever for me! But, if you give it a chance and do in fact find something here that gets your blood flowing, it’s a satisfying ride through some cosmic what the fuck.

7/10

Arkhum On ReverbNation

Arkhum On Facebook

Plagues Of Prophecy – Her Coffins Kiss (Single)

Sunday, May 29th, 2011

Genre: Blackened Death Metal

Label: Independent

What do you get when you mix the technical side of Death, the mass appeal of Behemoth and the extreme vocal diversity of Stefan Fiori of Graveworm?

The answer: at least one of Plagues Of Prophecy’s song’s. This one is called, Her Coffins Kiss. And let me tell you, it’s three minutes and five second of soul scorching blackened death metal!

The song starts off a little jumbled (the guitars and drums are a tangled mess for the first twenty seconds or so) and ends the same way. But in between it all, it’s a classic. Half way through, we’re treated to an old-school heavy metal solo that’d make Glenn Tipton go, “Didn’t I write that?”

Overall: It’s only one song, so I wasn’t able to get a complete grasp on what Plagues Of Prophecy is trying to lay down. BUT, it’s still one hell of a wild ride, filled with some pretty amazing riffs and a torrent of tortured vocals! All packed inside a single track of blackened death madness!

8/10

Plagues Of Prophecy On Facebook

Plagues Of Prophecy On Reverbnation