Funeral Rain Press Corps

Genre: Black Metal
Label: Panzerfaust Productions

Chaotic black metal in the vein of Marduk, England’s Blooddawn return with Opus Dei. This particular disc has been in my possession for awhile, having been released in 2011, but I haven’t had the opportunity to actually sit down and listen to it, which is how I best enjoy Blooddawn.
Finally, though, I took the time to give this CD-R a couple spins, and I like what I hear. There isn’t much change in sound between the last albums and this, but the song structures and songwriting itself are much stronger. The chaos is palpable; the rage that fills the previous releases has only been fueled, it seems, and it permeates this entire album. Evil tones spew into the ears and almost immediately air bass and headbanging slam my brain around. There is a doomy atmosphere to the tracks at times, especially in the opening of “Adorning the Crown of Flies”, which is probably not coincidentally my favorite track on the album.
8 out of 10.

Opus Dei Tracklisting:
1. Opus Dei
2. When Gods Die
3. Adorning the Crown of Flies
4. Embracing the Theory of Divine Superiority
5. A Great Cleansing
6. Subjugation of the Weak

Opus Dei Personnel:
Donn – Vocals
P – Instruments; Lyrics and vocals on “Embracing the Theory…”

Genres: Deathcore, Hardcore, Metalcore
Label: Independent
Format: CD (Physical Promo)

Marry Me, Murder are a local band, who some will remember were one of the bands at the first Funeral Rain Records show. They have since gone on to press some merch and record themselves an ep proper. Five tracks of MMM’s brand of death influenced hardcore is something I’ve been hoping to hear ever since I saw them live. I wondered if they would be able to pull off their show in a studio, and it would seem that they did.
The heavy Killswitch Engage/Sepultura/Alexisonfire style riffage that I loved from these guys is in full force. Vocals are pretty varied, from death growls to clean singing. I just wish I could remember which dude is Dion and which is Rick! Drums and bass are solid, with some gorgeous snap on the snare, but I would have personally brought the bass up just a bit in the mix, or even just turned the mids up a bit more on the amp.
In all, this is a great first EP. Now if only the band credits were present on it…
7.5 out of 10.

Victimology Tracklisting:
1. Cold Blooded Calibers for Cold Hearted Men
2. Ernie Doesn’t Like the Monsters
3. Crepitus
4. Chivalry is Dead
5. Giant Killer Space Bees Vs. Flying Sharks

Victimology Personnel:
Jaydon Bunney: Drums
Jessey Bunney: Guitar
Dion Amphlett: Vocals
Jake Leggo: Bass
Rick Holmberg: Vocals
Matt Reimer: Guitar

Marry Me, Murder on Facebook.

Genre: Atmospheric Death Metal, Funeral Doom
Label: Selfmadegod Records
Format: Digital Promo (Earsplit PR)

After several listens to this dirty, old school, obscure death metal album, I’m convinced that Encoffination are going to be leaders of the atmospheric death and funeral doom genres for a long time to come.
This is not your typical pretty sounding modern death metal. There are no clean breaks, no well-defined vocals that are enunciated and easily understood, no immensely fast solos, and no breakdowns. This is also not the doom that Black Sabbath, Saint Vitus, or even My Dying Bride have created.
O’ Hell, Shine in thy Whited Sepulchres is guitar and bass driven, but organs and bells make their presence known, adding layers of atmosphere; combined with excruciatingly slow riffs and the very voice of death Himself, this album is not so much a collection of songs, but a collection of bodies. Of which, you can count your own a part of after listening.
The opening track is a short instrumental intro, “Sacrum Profanum Processionali”, and it helps to set the tone of imminent doom.
“Rites of Ceremonial Embalm’ment” follows, dragging you down into an ancient mortuary currently run by spectres of a diseased past.
The tone and feeling doesn’t ever let up through “Ritual Until Blood” and “Elegant in Their Funebrial Cloaks, Arisen”, only getting more oppressive and obscure in “Crypt of His Communal Devourment” and “Washed and Buried”.
“Pall of Unrequited Blood” and “Annunciation of Viscera” are somewhat faster than the rest of the album, but by no means any less oppressive feeling. “Annunciation…” is also the longest track on the album, taking just under eleven minutes to destroy your will to survive.
In all, this is a great album. I’ll be coming back to it a lot, for both pleasure and inspiration.
8 out of 10.

Encoffination on Facebook.

O’ Hell, Shine in Thy Whited Sepulchres Tracklisting:
1. Sacrum Profanum Processionali
2. Rites of Ceremonial Embalm’ment
3. Ritual Until Blood
4. Elegant in Their Funebrial Cloaks, Arisen
5. Crypt of His Communal Devourment
6. Washed and Buried
7. Pall of Unrequited Blood
8. Annunciation of Viscera

O’ Hell, Shine in Thy Whited Sepulchres Personnel:
Elektrokutioner: Drums, Percussion
Ghoat: Guitars, Bass, Vocals, Organ, Bells

Genre: Progressive Metal
Label: CynNormal Lab Recordings

If the guys from Cynic and Gigan took a truckload of Ritalin before hitting the recording studio, I believe that the end result would sounds something like Abnormal Thought Patterns’s debut EP.

Since I brought it up, I think that if you were able to transmute Abnormal Thought Patterns music into pill from, you’d be left with a highly addictive psychotropic narcotic. Eases the pain by passing through the aural barrier and into the blood and brain barriers. Effective for clearing up a shitty day at work or whatever else is ailing you. Unfortunately, you can’t just stop listening to it. You’ll have to finish the seven track dose or else you’ll go through horribly horrible withdrawals! So do yourself a favor and listen to the whole damned EP and pass over the pain.

Getting back on track, Abnormal Thought Patterns is technical. The two aforementioned bands are decent comparisons in terms of overall sound. But ATP does it all with a certain panache. Primarily the kind were you decide to be an instrumental four piece technical/progressive metal outfit. (Where’s the marketability?  <— F!O!A!D!) Luckily for us, these guys know what they’re doing and who their audience is and they show it by playing with a gusto reserved for hardcore veterans of the genre with finger breaking tech riffs and hyper hammering drumwork exploding out of every track! Even the bass gets it’s fair shot at glory! That just doesn’t happen enough nowadays, am I right?

Unlike other EPs where I always end up bitching about how I was teased with only a little bit of what is to come in the future, Abnormal Thought Patterns went ahead and made sure that you not only got a pretty damned good taste of what these guys are all about, but also that you wouldn’t be teased at all. Sure the EP runs around twenty minutes or so, but there’s enough meat on the bones to slate your progressive hunger.

As for the Cons tally, we have an oldie but a validie: the EP tends to get a little on the repetitive side. The end of each track (minus the bass solo track, Ulnar Nerve Damage which is amazingly good!) sounds enough like the beginning of each track to trigger deja vu. But when they’re playing mind melting progressive riffs throughout, is a little repetition gonna kill ya? …didn’t think so.

Overall: Abnormal Thought Patterns debut EP is a mircoburst of progressive genius! I don’t normally use the word “fun” in my reviews, but it’s hard to deny that there is a whole lot of fun to be had in this offering. And even though it’s a relatively short outing, there is more than enough evidence on these seven tracks to let you know what the inevitable album will be like. Honestly, I wouldn’t be surprised if Scott Mosher had a hand in this somewhere…

9.5/10

Abnormal Thought Patterns On Facebook

Genre: Heavy, Power Metal
Label: Killer Metal Records

It has been quite a while since I’ve received something even remotely close to heavy metal or power metal. Iowa’s metal maestros Unity manage to cram the two aforementioned genres together with a wee bit of a progressive sound thrown in for a taste of fucking awesome!

Within the first two tracks you can tell that these guys really like their Iron Maiden. The third track erases any doubt of that completely and then raises the flag for fans of Gamma Ray! I’m tingly all over! Especially when a wicked solo erupts out of nowhere and melts your face clean of the bone (a la Raiders Of The Lost Ark). Following your facial reconstruction, vocalist Alonso “Zo” Donoso finishes off what’s left with a voice so perfect for what Unity is doing here. Power vocals that may as well be the voice of God since when Zo sings, everyone listens. Not necessarily because they want to, but because they are compelled to.

Even the obligatory power metal ballad doesn’t suck! Do you have any idea how fucking rare it is to come across a band that decides to write and record a ballad that isn’t cheesy, oversimplified or just plain horrible? Blue Moon rare! Honestly, I don’t know if I can make this any clearer to everyone. Unity is amazing, plain and simple. Check them out if you’re new school, old school or anything between or beyond.

Overall: Seriously, if you’re a fan of European heavy/power metal and wish that there was an American band could sound just as good, look no further. You’ve found them! True American Metal is REBORN!!!

10/10

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